Retablo Location TBD - June 6, 2026

The term retablo, from the Latin retro tabula, or “behind the altar,” originally referred to the large paintings depicting saints, Jesus, or the Virgin Mary, which hung behind altars in Catholic churches. In Mexico, retablos, also called laminas, came to denote the small devotional paintings that devout Mexicans would commission as ex–votos, or votive offerings, given in fulfillment of a vow or in gratitude for divine intercession.

In New Mexico, retablo painting is nourished by the northern rugged wildness and rawness. On the back of the retablos is the story of the saint's life. Many of them also have a prayer.

Paint a small devotional panel on traditional piñon wood (locally sourced).

Inspired by the santero traditions of New Mexico, each retablo begins with gesso grounds, earth pigments, and the scent of warmed piñon resin.

Honor a saint, ancestor, protector, or personal symbol of devotion.

Working in the bold, quiet language of colonial New Mexican religious art, participants create intimate pieces shaped by color, reverence, and place.

A study in ritual, memory, and handmade tradition.

*All supplies provided.